The need for a core group with a coherent vision is often regarded as vital to starting a community that lasts. I reflect on feedback on our Monastery of Dreams intensive in relation to visits to several formed and developing communities in Catalonia in 2013. We visited Kanawen, Arcadia, Arlequi, Cal Cases, Can Masdeu, Esblada, Irehom, Cala Fou and Molinàs. I also offer a brief history of the group that formed to set up the Monastery of Dreams and the extent of our mutual involvement to provisionally suggest that a lack of… Read More
At the former Seminary of the Marist Brothers, Outdoor Pursuits Centre (Casa de Colonies Ca n’Oliver) and Festival Location of MAPA. I spent some time thinking about how to summarise or even give a taste of what happened during the two weeks I spent at the Monastery of Dreams, the first week spent preparing for the second, a intensive process of dancing, sharing, performing while thinking, living and imagining community. I realised it would be impossible. The richness of the experience, the fact that my understanding and appreciation is still forming… Read More
Alyssa: (To Johan) You had a screening recently in Sweden, what was your discussion question or focus? How did your conversation go? Johan: I was going to say I don’t think we had a specific discussion question but at the same time Mike sent me some questions before that you wrote and I didn’t bring them. I gave a presentation of the film on the background of the film on why you choose to do it and how it’s questioning and looking at community. Somehow since I live in an area where… Read More
Contact Improvisation and Community? “Wow this is a community and how can I be part of it? Do I want to be part of it or when am I part of it? Who’s part of it ‘cause I felt when I watch it that I didn’t feel that I’m part of it and so I was wondering what would make me feel part of it and do I want to be part of it and how closed is it? Who decides who’s part of it and all of these questions came… Read More
‘There was so much in there to take in. It is almost overwhelming to absorb their honesty- their physical honesty and their emotional honesty’. (Feedback from screening). I am really grateful to Marcus Schulkind for supporting this event and thrilled to have collaborated with another dance mentor to host this evening- Neige Christenson. Neige teaches Contact Improvisation in the area and is a supporter of the film. I am a Boston raised dancer but have been living in Europe for the last four years dancing and teaching Contact Improvisation, Modern Dance,… Read More
During an International Viewing and Discussion Session at Earthdance on January 8th, 2015 a group of around 30 people gathered to watch ‘Five Ways In’. This group contained staff from Earthdance and participants of Nancy Stark Smith’s 3-week Intensive, along with Alyssa Lynes (a co-director). Most people present were therefore intermediate—advanced and/or teaching CI practitioners. Many are familiar with festivals and various international CI communities. We represented the following nationalities and home countries: Russia, Germany, France, Mexico, Canada, Morocco, the US, Italy, England, Ireland, Switzerland, & Brazil. Alyssa: What were you… Read More
‘This film is radiant and perceptive and pleasurable to watch. It achieves a rich and reflexive multivocality. Through a series of uniquely reflexive vignettes, from a Hawaiian political activist to Swedish biodynamic gardener, the filmmakers weave a narrative that foregrounds the inextricable bond between individual knowledge, experience and bodily intelligence.’ (Richards, J. 2014. Review of Five Ways In) The first review of ‘Five Ways In’ was written by third year anthropology student, Jade Richards, at the University of Kent for one of the assessments for the Visual Anthropology Theory course I… Read More
How is the way CI is taught and learnt relate to the quality of experience in CI events?